Carly Rae Jepsen, Illuminata

Carly Rae Jepsen showing off her Illuminati tatt.

Canadian songstress Carly Rae Jepsen, whose single I did NOT purchase less than 36 hours after first hearing it, is a high-ranking member of the Illuminati.  Her hit single "Call Me Maybe," while seemingly about innocent flirtation, actually chronicles her induction into the Illuminati by way of selling her soul to Lucifer.

Let's take a look at the lyrics stanza by stanza:

I threw a wish in the well,
Don't ask me, I'll never tell
I looked to you as it fell,
And now you're in my way. 

This throwing of a wish into a well is an allusion to her secret desire to become famous and wealthy.  As she watches the "wish" fall into the abyss of obscurity, she looks to the only one who can grant her this:  the Devil, who now obsesses her thoughts.

I'd trade my soul for a wish,
Pennies and dimes for a kiss
I wasn't looking for this,
But now you're in my way.

She names the only price she knows the Devil will accept for granting this wish:  her eternal soul.  She shamefully recounts her past of seeking fame by exchanging a little quid pro quo with sleazy casting agents, and reiterates that the Devil obsesses her thoughts.

Your stare was holdin',
Ripped jeans, skin was showin'
Hot night, wind was blowin'
Where you think you're going, baby?

She then recounts meeting Lucifer face-to-face; her clothing torn from the chimera, as the hot sulfuric winds blow through the eternal night of Hell.  She questions the Devil, forgetting that she must invite him into her soul and says:

Hey, I just met you,
And this is crazy,
But here's my number,
So call me, maybe?

By proclaiming her "number" (666) she swears allegiance to Lucifer, and then coyly asks him to call upon her soul in exchange for her fame.

It's hard to look right,
At you baby,
But here's my number,
So call me, maybe?

Though repulsed and frightened by his physical appearance, she reiterates her allegiance to him and desires to be called upon.

And all the other boys,
Try to chase me,
But here's my number,
So call me, maybe?

She confesses that agents of God, specifically the unfallen Archangels, try to redeem her, but she steadfastly refuses by calling out the number of the fallen one.

You took your time with the call,
I took no time with the fall
You gave me nothing at all,
But still, you're in my way.

She recalls the amount of time she had to wait to attain her fame, while it took her relatively no time to fall to his temptations.  Even when she did not at first receive anything, he still occupied her thoughts.

I beg, and borrow and steal
At first sight and it's real
I didn't know I would feel it,
But it's in my way.

To prove her loyalty, she subjects herself to a life of street crime in his name, until finally she is granted her fame-- "at first sight and it's real."  Note however that on the audio track, this line sounds like "Hail! For, Satan is real."  An eerily apropos declaration to make after the closing of a deal with the Devil.  She proceeds by admitting that she didn't know if fame would change her, but it too comes to consume her.

Before you came into my life
I missed you so bad
I missed you so bad
I missed you so so bad.

Before you came into my life
I missed you so bad
And you should know that.

So call me, maybe?

Now that she has attained her wealth and fame, she effusively thanks Lucifer and reproclaims her allegiance with the oft-repeated refrain, "so call me, maybe?"  This is symbolic of the Illuminati rituals that will inevitably become a routine of her life.

In conclusion, my education was a waste of money.